Melding with cobalt The hint of white paper beneath. Black is the primal ground, there is revelation here……
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We do not have to understand the swirls of black ink…, We just respond to them…..
Holding the same brush Using the same ink Whether an imaginary landscape Or a poem The artist cannot approach nature As other Than a concept An abstraction in black and white
Painting in black ink carving white paper Like a plow cutting through a field of white revealing all the colors, moods and emotions that lie beneath. Some say the color white is a combination of all color And black...
“Black is the absence of all color You can’t mix it from paint You have to fabricate it, Out of burnt bones or burnt pine, soot Black is hue, when you work with hues only a black and white...
“The major decisions in the process of painting, are on the ground of truth not taste…. you follow the dictates of your passions, and it is only by giving yourself up completely to the medium that one find oneself...
Ink is a presentation of passions after the fact. There is the stark and bitter recognition that something has happened and nothing can alter its having happened, like the black marks made by lightning strikes on a tree.
Black ink: the protagonist, the bridge to the past, the void where we all come from and return to the color of the ancients marking their existence around them Sensual, expressive, tragic, sensible, joyful, elegant, the shadow left behind...
Color as light, the medium for all that we see, the blue: cobalt, ultra-marine, Prussian, the colors of the California sky The red: setting sun at dusk
